{"id":9120,"date":"2026-04-03T13:47:33","date_gmt":"2026-04-03T13:47:33","guid":{"rendered":"https:\/\/alfilm.berlin\/program\/the-dislocation-of-amber-intiza-al-kahraman\/"},"modified":"2026-04-07T09:37:15","modified_gmt":"2026-04-07T09:37:15","slug":"the-dislocation-of-amber-intiza-al-kahraman","status":"publish","type":"nor-film","link":"https:\/\/alfilm.berlin\/en\/program\/the-dislocation-of-amber-intiza-al-kahraman\/","title":{"rendered":"The Dislocation of Amber (Intiza&#8217; al-Kahraman)"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<p>Filmed in Suakin, once a thriving Red Sea port and now marked by ruin, The Dislocation of Amber is less an explanatory document than an elegy in cinematic fragments. Shariffe layers architecture, shoreline, sung poetry, and symbolic imagery to evoke a city suspended between opulence and abandonment, trade memory and historical erasure. The film&#8217;s title signals an impossible separation\u2014 beauty from devastation, life from aftermath\u2014and this tension structures the viewing experience. Rather than narrating decline in linear terms, Shariffe composes a sensory archaeology in which stones, textures, and sounds carry the burden of history. The restored circulation of the film reaffirms its importance as both an aesthetic experiment and an archival act.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><span class=\"ffm-excerpt-screenings\">&gt; Monday 27.4.2026 | 18:30 | silent green Kulturquartier<\/span><\/p>\n","protected":false},"author":14,"featured_media":9118,"comment_status":"open","ping_status":"closed","template":"","categories":[],"tags":[],"nor-film_cat":[],"class_list":["post-9120","nor-film","type-nor-film","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/alfilm.berlin\/en\/wp-json\/wp\/v2\/nor-film\/9120","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alfilm.berlin\/en\/wp-json\/wp\/v2\/nor-film"}],"about":[{"href":"https:\/\/alfilm.berlin\/en\/wp-json\/wp\/v2\/types\/nor-film"}],"author":[{"embeddable":true,"href":"https:\/\/alfilm.berlin\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/alfilm.berlin\/en\/wp-json\/wp\/v2\/comments?post=9120"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/alfilm.berlin\/en\/wp-json\/wp\/v2\/media\/9118"}],"wp:attachment":[{"href":"https:\/\/alfilm.berlin\/en\/wp-json\/wp\/v2\/media?parent=9120"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alfilm.berlin\/en\/wp-json\/wp\/v2\/categories?post=9120"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alfilm.berlin\/en\/wp-json\/wp\/v2\/tags?post=9120"},{"taxonomy":"nor-film_cat","embeddable":true,"href":"https:\/\/alfilm.berlin\/en\/wp-json\/wp\/v2\/nor-film_cat?post=9120"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}